Today’s Enlightening
Entertainment will be
presented in Chinese,
with subtitles in Arabic,
Aulacese (Vietnamese), 
Chinese, English, 
French, German, 
Indonesian, Japanese, 
Korean, Malay, 
Persian, Portuguese, 
Russian, Thai 
and Spanish.
Welcome, artistic viewers,
to Enlightening 
Entertainment. 
In today’s episode, 
we are introducing 
the unique writing art: 
shufa or 
Chinese brush calligraphy. 
Chinese brush calligraphy 
is the hand writing 
of Chinese characters by 
using a soft-tipped brush. 
It has been used 
historically as a common 
means of communication 
in ancient China. 
Shufa, literally translated, 
is the art of the hand writing. 
“Shu” (calligraphy), 
together with 
“hua” (painting), 
“qin” (a string
musical instrument) 
and “qi” 
(a strategic board game), 
are regarded as 
the four fundamental skills 
and disciplines 
of the Chinese literati.
Now let’s join 
a private tutoring session 
conducted by 
Professor Huang Yang 
of the Department 
of Fine Arts 
at Huafan University, 
Formosa (Taiwan). 
An expert in shufa, 
Professor Huang Yang 
speaks with us about 
the history of the 
Chinese brush calligraphy. 
It's been around 
for a long time. 
The graceful lines 
on some unearthed 
ancient potteries 
were painted by brush. 
So based on that, the brush 
must have been around 
for at least 5,000 years. 
That's why we say 
that our Chinese culture 
spanned 5,000 years. 
But it was about 
3,000 years ago 
that people started 
using the brush to write. 
Since the very beginning, 
people already 
had a great appreciation 
for the pictographic 
and ideographic 
Chinese characters. 
With the invention of paper, 
calligraphy became 
increasingly acknowledged 
as an art form.
When paper 
became widely used 
about 1,500 years ago, 
people developed 
a higher standard 
of calligraphy. 
And the calligraphers 
started to pay attention 
to the expression of their 
personal characteristics, 
styles and feelings. 
As a result, the artistic 
standard of calligraphy 
became higher as well.
Ms. Chiu Shuan-chi, 
a teacher 
at Yazhai Children’s 
Calligraphy Association 
further explains 
the importance of 
Chinese brush calligraphy 
in ancient Chinese society.
In ancient times, under 
the imperial civil service 
examination system, 
calligraphy was part of 
the evaluation in the exam. 
In addition, 
many emperors in history 
highly valued the 
importance of calligraphy. 
In Han, Tang, Yuan, Ming 
and Qing dynasties, many 
emperors not only paid 
a lot of attention 
to calligraphy, 
but were also 
calligraphers themselves.
Some emperors 
even established 
an official position called 
Minister of Calligraphy.
To appreciate 
the art of shufa, 
we should first recognize 
the essential instruments 
used in Chinese 
brush calligraphy. 
They are the brush, 
ink stick, paper, 
and ink stone, known 
as the “four treasures 
of the study.” 
Among the four treasures, 
the unique features 
of the brush affect 
the overall presentation 
of a calligrapher’s 
writing the most.
The brush 
is the most outstanding 
invention among 
the Chinese writing tools. 
Since the soft brush head 
is in the shape of 
a pointed cone, it can twist 
and turn very smoothly, 
and one can write 
all kinds of strokes with it.
Chinese calligraphy 
originated from writing 
Chinese characters 
with brushes, which itself 
originated from painting. 
Chinese calligraphy 
has generally evolved 
into five common scripts. 
They are seal script, 
clerical script, 
cursive script, 
semi-cursive script, 
and regular script. 
The seal script 
was popular 
before the Qin Dynasty 
and the clerical script 
was widely used 
after the Han Dynasty. 
The Chinese script 
evolved into two styles. 
One is the development 
of the formal script, 
which was used 
on formal occasions. 
The other one 
is the cursive script, 
which was used 
in daily communications. 
These two styles of script 
were both used in 
the history of calligraphy. 
In the Han Dynasty, 
the clerical script emerged, 
and it became 
the formal script used 
on official occasions.
Gradually as 
cursive script developed, 
it became very simplified 
and resembled symbols 
that only a few people 
could read. 
The semi-cursive script 
and regular script 
were then developed 
and widely used 
in daily communication 
by common people. 
Now, let’s get our 
“four treasures 
of the study” ready! 
When we come back 
after some brief messages, 
Professor Huang Yang 
and Ms. Chiu Shuan-chi 
will show us 
how to write shufa. 
Please stay tuned 
to Supreme Master 
Television. 
Welcome back to 
Enlightening Entertainment 
on Supreme Master 
Television. 
There are both internal 
and external preparations 
associated with practicing 
Chinese brush calligraphy. 
Professor Huang Yang 
and Ms. Chiu Shuan-chi 
explain.
When you first start, 
you should learn 
how to grind the ink. 
When you finish
grinding the ink, and you 
sit in the correct posture, 
you can rest the ink stick 
on the ink slab. 
After that, you should 
cultivate the mindset 
for writing calligraphy. 
You should adjust 
your mindset so that 
it is in a tranquil state.
Calligraphy 
is also a kind of kung fu, 
a kind of qigong, 
because when you are 
writing calligraphy, 
your whole body 
will be in a special state 
that is different from 
the state you are in when 
you are doing other things. 
While you are 
writing calligraphy, your 
breathing will slow down 
and each breath 
will last longer. 
It's one of the reasons 
why the calligraphers 
in ancient times 
lived long lives.
Holding the brush correctly 
and sitting correctly are 
the basics of calligraphy. 
How do you hold a brush? 
It is different 
from holding a pencil. 
What's the right way to sit? 
Nowadays, children sit 
in a slouching position. 
One should sit upright. 
It helps you write nicely 
and it is good 
for your health as well 
because your circulation 
system works well when 
you sit in that position.
The 95-year-old 
senior calligraphy and 
ink painting artist 
Professor Chang Kuang-pin, 
who has devoted 
over 70 years of his life to 
mastering and promoting 
Chinese brush calligraphy, 
also mentions 
the many benefits 
of practicing shufa. 
In order to become 
proficient in shufa, 
experts and teachers 
recommend emulating 
a master calligrapher’s 
masterpiece 
as the first step. 
The Chinese term 
“lin mo” (emulation) 
actually contains 
two processes: 
“lin” (observe) 
and “mo” (imitate). 
To learn calligraphy, one 
should start by following 
good calligraphy models 
of the ancient people. 
One way of doing that 
is to put the model 
on the side and try to 
write each line and stroke 
like those in the model. 
Another way 
is to trace the models. 
You can put the model 
under your practice sheet 
and trace the characters. 
Through tracing, 
we can quickly learn the 
structure of the characters 
and the thickness and 
the length of each stroke. 
Then you can 
take out the model 
and practice by imitating. 
So these are the two ways 
to practice calligraphy.
One of the most influential 
and notable masters of 
Chinese brush calligraphy 
is Wang Xizhi of 
he Eastern Jin Dynasty 
in China, known as 
the Sage of Calligraphy. 
Wang Xizhi was born 
in Shang Dong province. 
Wang Xizhi lived in a time 
when semi-cursive script 
was prevalent 
and his calligraphy was 
the most beautiful of all. 
He integrated the good 
points of the calligraphers 
before him into his writing. 
Therefore, his work was 
the most outstanding and 
he has greatly influenced 
the later generations.
He has a masterpiece 
that is regarded 
as the best semi-cursive 
calligraphy in the world. 
Anyone who 
has learned calligraphy 
or knows something 
about calligraphy 
can recognize this piece 
called “Preface 
to the Orchard Pavilion.” 
Every beginner, 
who wants to learn 
the semi-cursive script 
calligraphy 
should study, appreciate 
and imitate his work. 
Many emperors in the 
Qing Dynasty regarded 
his work very highly. 
Emperors 
in the Tang Dynasty 
also liked his work.
Legend has it 
that Wang Xizhi 
derived inspiration and 
enhanced his proficiency 
in calligraphy from 
natural forms, such as 
the graceful necks of geese. 
Let us enjoy a short story 
about Wang Xizhi’s 
deep affection for geese.
It is said that Wang Xizhi 
was fond of geese. 
He heard that there was 
a Taoist living in 
the north of the mountain, 
who raised a big flock 
of beautiful and strong 
white geese. 
Therefore, Wang 
specially travel there 
early in the morning 
by boat. 
Wow! What pretty geese! 
Are they all your pets? 
Could you sell them to me?
Each living being 
owns its life, 
how can I sell them to you?
It made sense to Wang, 
but he couldn’t hide 
his disappointment at all. 
At this time, 
the white geese swam 
toward him one by one. 
It made Wang 
forget his frustration 
and he began to watch 
their elegant movement 
with admiration. 
Upon seeing this, 
the Taoist understood 
that Wang really loved 
those geese and he felt 
touched by his request.
Well, since you like 
the geese so much, you can 
take them if they agree.
Are you sure about this? 
Or can I do something to 
thank you for your favor?
Well, there is nothing 
but Tao in my mind; 
I don’t have desires 
for worldly things. 
If you really want to 
do something, how about 
writing a transcription 
of the Tao Te Ching?
Wang Xizhi 
readily accepted and then 
he started to hand copy 
the Tao Te Ching. 
As the sun set, 
the transcription of the 
Tao Te Ching was done; 
Wang then gave it 
to the Taoist. 
Under the twilight clouds, 
he took dozens 
of white geese back home, 
singing happily. 
Some people later even 
attributed Wang Xizhi’s 
grasp on calligraphic 
writing movement 
to the white geese’s 
beautiful actions.
The art of shufa is not 
only practiced in China, 
but also widely popular 
in some other Asian 
civilizations as well. 
These include Formosa 
(Taiwan), Japan, Korea, 
and Âu Lạc (Vietnam). 
It is a unique art form 
to Asian cultures that 
enhances their brilliant 
and beautiful traditions.
Elegant viewers, 
thank you for joining us 
on Enlightening 
Entertainment.
Please stay tuned 
for Supreme Master 
Television. 
Up next is 
Words of Wisdom, 
after Noteworthy News. 
May the arts of different 
cultures inspire you 
to be a peacemaker 
here on Earth.
From a TV repairman 
in Kabul, Afghanistan 
to host of “Afghan Star,” 
the country’s 
most popular 
television program…
“Afghan Star” sustained 
national unity among
different groups. 
To Pashto-speaking radio 
host of 
“Voice of America” in 
Washington, D.C., USA...
When I came to the US,
the only media 
which I could count on 
and wished to work for 
so that I can reach back 
to my people and to be 
able to do something 
for Afghanistan, 
was “Voice of America.” 
Wherever his career 
leads him, 
Mr. Sediqi dedicates
his life to one goal:
I love my homeland 
very much and 
my ambition is that 
I see it in peace 
and prosperity. 
Join us for Enlightening 
Entertainment on Friday, 
January 8 for Part 1 of 
this two-part program as 
Mr. Daoud Sediqi shares 
with us his impressive 
career and love 
for his beautiful country.